Note to a Young Photographer
by Scott London
I received a note from a young photographer. She said she’s considering returning to school to get a degree in photography. Did I have any advice for her? Here’s my reply:
I studied photography in college and learned some valuable things. But the best education is the one I gained in the field.
I’ve always had doubts about the value of photography school. My sense is that there are better—and cheaper—ways to learn and develop your craft. And today a photography degree no longer brings any guarantees or opens any special doors.
In fact, I’ve been saddened by the many requests I’ve received from photographers with degrees from expensive trade schools who want to intern with me. The time for an internship, it seems to me, is before you enroll in a degree program, not after.
The great Henri Cartier-Bresson once said that you have to take 10,000 images before you find yourself as a photographer. And Malcolm Gladwell, in his book Outliers, says the general consensus is it takes 10,000 hours—about 20 hours a week for 10 years—to develop true mastery in a given field.
Both of these observations hold true whether you’re in school earning a credential or out in the field making pictures. So why not skip the degree?
Most of what you can learn in college, you can also learn just as effectively through books, online courses, and weekend workshops. To say nothing of good mentors.
One more thing. Too many people who go to school think that graduating means they are done with their education. The degree gives them the illusion they know everything they need to know. But we can never stop learning, any more than we can reach the limit of our creative capacities. People who are self-taught seem to understand this intuitively.
My best advice to you is:
- Volunteer/intern with an established photographer that you like and respect (or simply ask to follow him or her around in the course of a day’s work)
- Start a clippings file (or folder on the computer) with work that inspires you and blows your mind and then try to recreate some of those images in your own style
- Share your work with other photographers and solicit constructive feedback (and always take “likes” and other forms of positive feedback on social networks like Facebook and Flickr with a grain of salt)
- Spend time every day shooting for no other purpose than to have fun and experiment