Since I have comments turned off on the blog, I’m sharing some recent questions that have come in from readers, along with my replies.
As an amateur photographer always looking for ways to improve, I was wondering if you might share some advice or recommend techniques for post production. The land and sky in your shots hold such gravitas. Any advice at all is greatly appreciated.
Thanks for the feedback. As I see it, no amount of post-processing can salvage a mediocre photo. So my advice is to work on getting it right in camera. The rest comes naturally. When the light is good, the composition works, and the photograph suggests a story or evokes a feeling, then the editing process is very straightforward: correct color, adjust contrast, and dodge and burn as needed to direct the eye to the focal point of the image, if there is one.
Can you describe your basic workflow once you’ve finished a shoot?
First I copy the images to my computer and make a backup. Then I review all the images. I use Photo Mechanic for both these tasks. (Lightroom is too slow and clunky for the reviewing and culling process, in my view.) I also enter most of my metadata for the shoot at this point. Once I’ve pared down, tagged, and rated or color-coded the set based on my preferences, I import the files into Lightroom. From there I organize and manage the images, typically making simple corrections (such as white balance and exposure adjustments) on the fly. Key images, those to be delivered to the client or otherwise shared, all get processed using Photoshop. Much of that work is actually done in Adobe Camera Raw, where I spend the bulk of my editing time (inside Photoshop). The files are then exported, reviewed, and delivered.
After seeing your setup, I’m thinking about getting the Canon 6D as a second camera. I realized if I’m shooting an event like the Blue Angels, wild stallions, or air balloons, how convenient it would be to not have to change lenses all the time.
Yes, having a second (or third) camera body at events is essential to the way I work. If I were you, I’d hold off on buying a 6D though, because Canon will soon be announcing a new version of the camera, one that hopefully addresses what I see as its only real shortcoming—the poor autofocus system.
Which Think Tank shoulder bag do you have?
Mine is the Retrospective 10, which is awesome.
I have looked in utter admiration at your photography from Burning Man through the years. I’m looking to take an Olympus OM-D E-M1 to this year’s event. The only question I have is if you were to take only one lens to the event, which one would this be?
Thank you. I have a simple and straightforward answer for you: the Olympus 12-40mm f/2.8 Pro. I think it’s the perfect one-lens solution for Burning Man.
I have followed your art online and bought the Burning Man book, both of which I admire very much. I am finally planning on attending and would bring my camera gear. I am bringing 2-3 small mirrorless cameras. My question concerns batteries and accessories. With no electrical do you bring a handful of charged batteries? Are there any special accessories you think are indispensable for shooting beyond the ordinary camera/lenses? I’ve heard you have to register the cameras and sign waivers etc. Is there anything special I should know or do to make my effort successful?
If you don’t have access to a generator or other power source, I would recommend bringing an off-the-grid battery (such as a deep-cycle car battery) to keep your cameras, phone and other gadgets charged). In a pinch, you can always charge your batteries using an inexpensive inverter for your car. And if all else fails, you can recharge your batteries at Media Mecca. They have charging stations for journalists and photographers. You’re right, you do need to register your cameras if you plan to publish or otherwise share your photos with the world. Burning Man’s image use policies apply to all published images, but not to use of photos on social media. Don’t worry, you can always request permission after the fact, if need be. Other things that might be useful to bring include compressed air and pre-moistened lens wipes. I always carry large Zip-Loc bags for my cameras in case I’m caught in a whiteout (which happens pretty much all the time!). Other things to consider bringing: business cards for giving to people when you take their picture, and a small notebook for jotting down people’s contact info and/or carrying releases. Have you seen Matt Freedman’s photographer’s guide to Burning Man? You’ll find it here.
Looks like you have at least a drone and the image quality makes me want to believe you’re running around with a Nikon D-Infinity with auto-focusable Zeiss ultra prime glass (exists only for you).
That’s wonderful and hilarious. If only!