Lightning in a Bottle

LiB 2017

It was my first time at Lightning in a Bottle, the annual festival held on the shores of Lake San Antonio in central California. My first thought on arriving at the event had nothing to do with the gorgeous backdrop, the beautiful people, or the sweet vibe. It was more like, “Where have I been all these years?”

Lightning in a Bottle is a project of the DoLab, a Los Angeles-based production company. This year they invited me to be part of their in-house media team as one of the official photographers.

I got to work side-by-side with some incredible talents, photographers whose work I’ve admired for years. I also got to revisit the feeling of being a newbie, which is humbling but also good for the spirit.

Being at the event was a rich experience, especially as I moved away from the big sound stages and peformance venues. Farther afield, I discovered art installations, sacred spaces, lectures and panel discussions, movement classes, folks gathering in the shade of large oak trees to talk philosophy or meditate together.

More than once I had the feeling that this may be something like what people experienced back in the Summer of Love—a convergence of free spirits who come not just to dance and have a good time but to also explore an expanded concept of individual consciousness and human possibility.

It seemed fitting, too, that the event is held just down the road from the Esalen Institute, widely regarded as the birthplace of the human potential movement. I’ve spent a lot of time at Esalen tracing some of the ideas that were spawned there and how they have shaped our culture over the last half-century (Here’s a recent article of mine on Esalen).

Lightning in a Bottle is a festival, of course, not an institute. But it strikes me that some of today’s festivals—Burning Man and Lightning in a Bottle chief among them—are helping to create a context for new ideas of community, participation, creativity, and social and personal transformation.

Here are a handful of my photos. For more, check out the expanded set on Facebook.

 

The Beacon  Leoj  Jessie Jonny  Damian  Johna Goldenflame  Live Free  Meditation Lookout  Tall Ships

AfrikaBurn

Photos from AfrikaBurn by Scott London

I’m back from two beautiful and amazing weeks in South Africa. It was my first time attending AfrikaBurn, an event now in its tenth year that draws thousands of artists, fire performers, costume designers, DJs, musicians, stilt walkers, body-painters, and countless other creative types, most of them from South Africa, but increasingly from other parts of Africa and beyond as well.

AfrikaBurn is sometimes described as a festival or party in the desert. But it would be truer to call it an experiment in creative self-expression. Each year at the end of April, thousands come together in the Tankwa Karoo desert to create large-scale art installations, build outlandish vehicles, organize theme camps, make music, put on performances, dress up in wild outfits, and—as the name suggests—burn stuff to the ground.

The comparisons to Burning Man are inevitable, but I find that AfrikaBurn has its own unique character and sensibility. I love that it’s still relatively small-time and intimate. There’s a freewheeling atmosphere and a kind of laissez-faire openness I’ve never experienced  in over a decade of attending Burning Man. It could be that some rules don’t exist simply because there hasn’t been a need for them. Or, it may owe something to the fact that South Africa is an altogether different culture. In any case, it made a deep impression.

Special thanks to my friend, fellow photographer, and wonderful travel companion Duncan Rawlinson. The two of us hatched the idea of going to AfrikaBurn more or less at the last minute, and it’s safe to say neither of us would have made the trip alone. If you haven’t seen Duncan’s photos yet, be sure to check them out here. I’m also grateful to the many wonderful burners who freely consented to let me photograph them in the act of dancing, stilt-walking, hooping, making art, or simply being beautiful. Thank you.

A few technical notes. I shot about 2,500 images over the course of six days. As always, I brought two cameras and shot with a variety of lenses. Looking over the stats on the plane home, I was surprised to see that the lens that got the most use was my 16-35mm wide-angle, not one I normally use that much. But it could be that the wide open spaces of the desert, especially combined with the dramatic cloud patterns and incredible play of light and shadow, favored a wider-than-normal perspective. That lens was followed closely by the 85mm, my preferred portrait lens, and the 35mm.

Here’s my set of 100 personal favorites — AfrikaBurn 2017

 

 

 

Live Q&A at the Press Room

We had a good turnout for the opening of my photography exhibit “Fire and Dust” at the Press Club in Monterey last week. The event included a live interview with Bradley Zeve of the Monterey County Weekly and some great questions from the audience.

Thanks to Bradley for hosting and moderating the discussion (and for the thoughtful questions) and to Jack Peterson of the Media Center for Art Education and Technology for taping the event for broadcast (to be aired on MCAET throughout March and April — check listings here).

Below is an edited 51-minute video of our conversation.

Fire and Dust – A New Show in Monterey

It’s weird to see Shepard Fairey’s work come down and my own go up. I’ve been a fan of his art for a long, long time.

We’re kicking off a new show today, this one in Monterey. It’s called “Fire and Dust” and features a decade of my Burning Man photography.

The show is in a cafe/art venue/public gathering place called The Press Room. The exhibition is curated by the Winfield Gallery.

Seems like there are a lot of people involved. There is a lot of enthusiasm about the show. Hopefully it will translate into a decent turnout at the reception and live Q&A in two weeks.

If you happen to be in or near Monterey on March 10th, I hope you’ll come by!

The show itself runs through April 15th.

More info below…

Scott London at the Press Club in Monterey

Exhibition in Telluride

 

This week I’ll be in Colorado exhibiting my work at the Telluride Gallery of Fine Art. The show opens on Thursday with an artist reception. I’ll also be signing copies of the newly published Second Edition of Burning Man: Art on Fire at Between the Covers, the local bookseller and café.

The gallery show coincides with the annual Telluride Fire Festival, now in its third year. The event is billed as a community celebration of excellence in interactive fire arts. It runs three nights and features huge, interactive, fire-emitting art installations, world-class fire performers, fire spinning workshops, and other activities. Should be quite a party.

I spoke about the exhibition with Cara Pallone of KOTO Public Radio. You can hear the 7-minute interview here:

If you’re in or near Telluride, make a point of checking out the festival and please stop in at the gallery reception. Here are the details: Scott London Artist Reception at the Telluride Gallery of Fine Art.