Exhibition in Telluride

 

This week I’ll be in Colorado exhibiting my work at the Telluride Gallery of Fine Art. The show opens on Thursday with an artist reception. I’ll also be signing copies of the newly published Second Edition of Burning Man: Art on Fire at Between the Covers, the local bookseller and café.

The gallery show coincides with the annual Telluride Fire Festival, now in its third year. The event is billed as a community celebration of excellence in interactive fire arts. It runs three nights and features huge, interactive, fire-emitting art installations, world-class fire performers, fire spinning workshops, and other activities. Should be quite a party.

I spoke about the exhibition with Cara Pallone of KOTO Public Radio. You can hear the 7-minute interview here:

If you’re in or near Telluride, make a point of checking out the festival and please stop in at the gallery reception. Here are the details: Scott London Artist Reception at the Telluride Gallery of Fine Art.

Painted Desert

The Painted Desert series grew out of a great collaboration with the performance troupe Vessel. The project was commissioned by the Mesa Arts Center and is perhaps best described as a merging of photography, costume design and performance art. We put a lot of planning and hard work into an initial photoshoot in the Painted Desert. But the real highlight of the project was presenting it in front of a live audience—as we have now done at several venues in Arizona, including Spark Festival in Mesa, the Public Art Program in Glendale and, earlier this month, the Phoenix Art Museum.

As a photographer, I’ve presented my images in a variety of formats and venues over the years—magazines, gallery shows, books, film, etc. But this is the first time I’ve used photography as part of an interactive experience. The photographs are projected on people and objects as part of the performance. When we presented the show at the Mesa Arts Center, the entire complex became a moving art gallery of sorts, with images flowing across walls, ceilings, floors, and even people in the audience. As you can see in the photos below, the Vessel performers became living screens for the projected images. (In the fourth image, I appear alongside Rachel Bowditch, camera in hand.)

Spark! Festival Spark! FestivalSpark! FestivalSpark! Festival

Vessel is the brainchild of Rachel Bowditch, a respected performance artist recently named one of today’s 100 top creatives by Origin Magazine. It was a joy and an honor to work with her. For more about Rachel’s work, check out her website Vessel Project.

Here are a few more photos from the series. For more images, check out the slideshow here.

 

Steampunk

Steampunk is a curious aesthetic, an unlikely mix of seemingly incompatible frames of reference. Inspired by science fiction and informed by 19th-century industrial machinery, it’s part Victorian England, part wild west Americana, and part 21st-century nostalgia. It seems to be everywhere now, from fashion runways and design houses to artist collectives and Makers Faires.

I never set out to focus on the phenomenon per se, but hanging out with artists, engineers, sculptors, builders, designers, and other creative types, and carrying a camera, has meant that I’ve been on hand to document some great steampunk projects.

My photographs have been exhibited at two recent shows — the Scottsdale Center for the Performing Arts’s exhibition Steampunk: The Exquisite Adventure and the San Diego Automotive Museum’s show Steam Punk. A handful are also included in a new book, Steampunk, by German author, curator, collector, and steampunk aficionado Dan Aetherman.

The Nautilus by Sean Orlando and Christopher Bently at Burning Man 2011 (Photo by Scott London)
Steampunk performer at the Solstice Celebration in Santa Barbara, California. (Photo by Scott London)

 

 

Moving Europe

I love public art, and here’s a cool project I’ve been part of that gives added meaning to the term. It’s from an open-air photo exhibition where artists and performers take to the streets playing music, spinning hoops, walking on stilts, and carrying large prints of interactive art installations. The project has been popping up in cities across Europe, including Athens, Amsterdam, and Antwerp.

The project was masterminded by filmmaker Jan Beddegenoodts, with photographs by Gaby Thijsse, Thomas Dorn, Sidney Erthal, and myself. Later this year, we’ll be taking it to Berlin, Lisbon, Riga, and even Reykjavik.

For more on the project, check out Jan’s video below, or head over to his site: Moving Europe

 

Default World Dreaming

"Star Seed" by Scott London

“Default World Dreaming” is a new show opening today at Gallery 151 in New York City. I’m excited to be a part of it and to have my work featured alongside an amazing roster of talented artists.

The show ranges widely but takes inspiration from the unique culture and ethos of Burning Man. The annual festival represents a curious and dynamic world of opposites — the ephemeral world that rises out of the Black Rock Desert of Nevada each summer, and the established, accepted, and socially constructed reality of our daily lives.

To those in the Burning Man community, quotidian life is often referred to as “the default world.” It stands in stark contrast to the culture of Burning Man which is exemplified by self-reliance, non-commodification, gift giving, and radical self-expression. For those who attend Burning Man, these values can be so creative and so liberating that they feel more real than the “real” world.

The exhibition looks at the dichotomy between living in a default world and dreaming of an alternate world, one suffused with creative extravagance and limitless possibility.

The show runs through April 19, 2014. For more information, please visit Gallery 151.