A few weeks ago, the producers of Discovery’s “This Happened Here” contacted me about an image I had made at Burning Man in 2011. The series features short documentaries that revolve around compelling or unusual photographs.
I answered some questions about the photo and reflected on why I happen to love making pictures at the event.
They have just posted a new episode under the title, “Can Burning Man Change Your Life?” As it turns out, they let me do most of the talking.
Check out the clip above, or read more about it here.
The timing couldn’t be better, as I’m scrambling to get ready for Burning Man 2015 which kicks off in just a few short days.
In the new issue of Wired Magazine, fellow photographer Sidney Erthal and I offer some thoughts about our favorite Burning Man art pieces from the past along with installations we’re looking forward to seeing at this year’s event, which kicks off in less than two weeks.
“A five-storey mesh dancer, a giant game of fire Tetris and — if rumours are to be believed — a hacked Boeing 747 are just a few of the oversized artworks on show at Burning Man (August 30 to September 7),” writes Oliver Franklin-Wallis. “But here, such awe-inspiring projects are the norm — the Nevada desert festival has a reputation as an alt-art showcase. ‘It’s a laboratory for creativity,’ says Scott London, a long-time photographer of the event who, with fellow snapper Sidney Erthal and author Jennifer Raiser, has collaborated on Burning Man: Art on Fire (Race Point Publishing).”
The piece features about a dozen of our photos. You’ll find the images and full text online: http://wired.uk/JFmODc
This week, the Pocko Times is showcasing my Burning Man photographs in a special feature that includes more than 30 photos and an extended interview about the project.
The Pocko Times began as a large format print magazine devoted to art, photography and ideas. It has now evolved into what they describe as “a curated platform of innovative ideas and artist endeavours” — an online platform of sorts showcasing talented individuals with a unique perspective about the world through their work.
It was a delight and an honor to to be profiled. You can read the interview and see the photos here: pocko.com.
Over the next week, I’ll be taking over the Instagram feed for Color Services, a wonderful photo lab I’ve been working with for over 10 years now. Not exactly “taking over,” more like guest hosting. They’ve invited me to share some of my favorite images from the past few years, along with some new stuff. If you’re on Instagram, I hope you can follow along: @colorservices
UPDATE (July 31, 2015):
Thanks to Gabe, Glen, Linda and the rest of the team at Color Services for letting me take the reins for a week. To read their blog entry about the takeover and see some of the photos that I posted, head over to the Color Services Blog.
Steampunk is a curious aesthetic, an unlikely mix of seemingly incompatible frames of reference. Inspired by science fiction and informed by 19th-century industrial machinery, it’s part Victorian England, part wild west Americana, and part 21st-century nostalgia. It seems to be everywhere now, from fashion runways and design houses to artist collectives and Makers Faires.
I never set out to focus on the phenomenon per se, but hanging out with artists, engineers, sculptors, builders, designers, and other creative types, and carrying a camera, has meant that I’ve been on hand to document some great steampunk projects.
My photographs have been exhibited at two recent shows — the Scottsdale Center for the Performing Arts’s exhibition Steampunk: The Exquisite Adventure and the San Diego Automotive Museum’s show Steam Punk. A handful are also included in a new book, Steampunk, by German author, curator, collector, and steampunk aficionado Dan Aetherman.
California governor Jerry Brown has declared a state of emergency for Santa Barbara County after a ruptured pipeline spilled tens of thousands of gallons of crude oil into the ocean near Refugio State Beach.
There’s nothing to drive home how devastating an oil spill is than seeing its effect on wildlife — in this case a brown pelican covered in oil and struggling for its life. It’s one of the more harrowing things I’ve seen.
Fortunately, I came across very few oiled animals out there at the spill. And it was comforting to have people from the California Department of Fish and Wildlife on the scene to help with the rescue effort.
But I have a feeling we’ll be seeing more of these images in coming days and weeks, as the Gaviota coast is home to a rich diversity of wildlife and the spill is already affecting a swath about 10 miles wide.
I took quite a few photos out there at the spill, but this one seems to have struck a nerve, already popping up on dozens of news sites. I’ll have more images to share soon.
I went up with my pilot friend John this evening for an aerial view of the oil spill. It was hazy and the visibility wasn’t great, but you could clearly see the oil slick covering the area from Refugio State Beach toward El Capitan State Beach.
I love public art, and here’s a cool project I’ve been part of that gives added meaning to the term. It’s from an open-air photo exhibition where artists and performers take to the streets playing music, spinning hoops, walking on stilts, and carrying large prints of interactive art installations. The project has been popping up in cities across Europe, including Athens, Amsterdam, and Antwerp.
The project was masterminded by filmmaker Jan Beddegenoodts, with photographs by Gaby Thijsse, Thomas Dorn, Sidney Erthal, and myself. Later this year, we’ll be taking it to Berlin, Lisbon, Riga, and even Reykjavik.
For more on the project, check out Jan’s video below, or head over to his site: Moving Europe
I’m back from a shoot in Arizona’s Painted Desert with the performance group Vessel. It’s part of a collaboration we’re working on for the Mesa Arts Center. Combining photography, costume design, and performance art, the interactive piece will be presented next month at the Spark! Festival.
Photoshoots in the desert are always iffy, especially when they involve a half dozen people, travel, permits and other logistical challenges—to say nothing of the fact that we were shooting in the high desert in the dead of winter when it can get mighty cold and windy.
But somehow all the pieces came together just right. We even got lucky with the light, especially around sunset, when everything seemed to be bathed in golden hues.
I’ll have more images from this project to share soon. Please stay tuned.