The news just broke that Steve Jobs has died. It comes as a bit of a shock. I never met him, but like millions of people the world over I was the beneficiary of his brilliant mind and unique vision.
I’ve been using Apple computers for most of my professional life and rarely has a day gone by that I haven’t felt a sense of gratitude for the technologies he brought into being. I’ve produced radio programs, written books, edited films, retouched photos, and created graphic designs on the Mac. And that’s just the beginning. My story is hardly unique. Countless people will tell you the same thing.
Though I never met Jobs, I photographed him some years ago in Oslo. He was there to attend the Nobel Peace Prize ceremony for his friend Al Gore. My photo made the rounds. Apparently people were shocked to see Jobs in a suit and tie. They imagined that his closets were full of nothing but black turtlenecks and blue jeans, and I had proved them wrong.
People will be discussing his legacy for years to come. But right now, all I can say is that feels like the sudden end of an era.
“Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Almost everything — all external expectations, all pride, all fear of embarrassment or failure — fall away in the face of death, leaving only what is truly important. Remembering that you’re going to die is the best way I know to avoid the trap of thinking you have something to lose. You’re already naked. There’s no reason not to follow your heart…. Stay hungry. Stay foolish.” — Steve Jobs, Stanford University commencement address, June 2005.
I’m back from an enchanting week at Burning Man 2011. It was my eighth consecutive year at the event. The gathering felt massive this year, from the huge crowds (nearly 54,000, according to reports) to the sheer size of the “city,” which was scaled up in 2011 and was in fact so big that there were large parts of it I never got to see. There were many impressive art installations, wacky art cars, and mindblowing performances in 2011, but I found myself mostly drawn to the beautiful and creative people of Burning Man. This is reflected in the sizable number of portraits in this year’s batch of images. My 2011 set can be found here. In addition to my usual collection of 100 images, my plan is to launch a new photoblog devoted to the people of Burning Man. Please stay tuned.
- Visual News – Scott London Captures the Magic of Burning Man
- Joe’s Daily – Burning Man 2011 by Scott London
- WeWantToLearn.net – Stunning Photographs of Burning Man 2011
- Business Punk – Burning Man 2011
- L’Arbre Monde – Burning Man Par Scott London
- brekend.nl – In beeld: Burning Man 2011
One of my most rewarding creative projects has been photographing the Burning Man festival each year, something I’ve been doing since 2004. Over the years, I’ve built up a rather extensive portfolio of images from the event. Some of them appear in a new book, in several recent magazine spreads, and as part of an upcoming exhibit at Denmark’s Louisiana Museum of Modern Art.
Rachel Bowditch’s book On the Edge of Utopia: Performance and Ritual at Burning Man, recently published by the University of Chicago Press/Seagull Books, includes several of my photos from the festival. Bowditch is a theater director, performer, and longtime Burning Man participant who teaches at Arizona State University.
In the book, she makes the case that Burning Man can be seen as a contemporary galaxy of happenings, a revival of the ancient Roman Saturnalia, a site for rehearsals of utopia, and a secular pilgrimage. As the festival continues to grow, she says, it’s likely to create new paradigms for performance, installation art, community, and invented rituals that bridge ancient traditions to the twenty-first century.
A recent issue of the French magazine Folie Douce (published in both French and English) features ten of my photographs, along with an essay, on Burning Man. The festival is described as “an artistic utopia that is more than a little out there.” The text is a bit goofy, and not entirely accurate, but I was very happy with the selection and layout of the photos.
I also have two images from Burning Man in a recent issue of Vanity Fair and a double-spread in a forthcoming issue of Marie Claire. Other magazines featuring photos from the event include Elle Décor and Aïshti. In addition, my photos are included in a new 2011 calendar and commemorative photo book, recently published by the Burning Man organization. For more information, visit the Burning Man Marketplace.
You’ll find my image “Lovers” on the cover of the Summer 2010 issue of Common Ground. It’s not the first time I’ve worked with the magazine. The editors featured about a dozen of my photos in a retrospective from Burning Man 2009 last fall, as well as a portrait of Burning Man founder Larry Harvey in the Summer 2009 issue.
I’m excited to have a number of my photographs included in a special exhibition called “Living” opening next month at the Louisiana Museum of Modern Art outside Copenhagen. More details on the museum’s website: www.louisiana.dk
Finally, if you haven’t seen Creative Holly’s wonderful color blog, you’re in for a treat. Holly is a graphic designer with a great eye for color. For a recent post, she asked me to pick out five of my favorite shades of Burning Man and to say a few words about each one. I sampled the colors from some of my more popular Burning Man images. It was an honor and a kick to be a part of her project.
Update, July 5, 2011:
My photo of the fabulous Jesster Canucklehead appears on the cover of Common Ground magazine this month. The summer issue features a preview of Burning Man 2011, along with a lovely photoessay from Ales Prikryl.
You can view the complete issue online at: http://www.sopdigitaledition.com/commonground/
More than a dozen of my photos also appear in the current issue of The Outlook Magazine, China’s leading culture and lifestyle publication. You won’t be able to glean much from the article unless you happen to read Chinese, but you can always enjoy the photos. Go to: http://www.theoutlookmagazine.com/3202/
I’m back from a short trip to Death Valley, a favorite getaway, a place I love to go to quiet the nerves and tame the ego. The place has that effect because it makes you feel inconsequential, helpless, and out of place. It also happens to be a place of spellbinding beauty. Here are a handful of photos from the trip.
In some parts of Death Valley, you feel as if you have the whole place all to yourself.
The play of sun and shadow at Zabriski Point is mesmerizing.
Furnace Creek is an otherworldy oasis in the heart of Death Valley.
Badwater was bone dry this year.
One of the curious moving rocks at Racetrack Playa.
It was my first time at the Eureka Sand Dunes, a magnificent place where time seems to stand still.
Here I am climbing one of the Eureka dunes. (Photo by D.H.)
As Oslo readies for the Nobel Peace Prize award ceremony tomorrow, the city is full of luminaries. Most of them fall in the category of international celebrities, politicians and dignitaries of various kinds. But tonight I was taken in by a different kind of luminary, the sort that illuminates your path on a cold night.
My Norwegian friend had invited me over for dinner. He lives in a quiet hamlet on a peninsula a half-hour’s boat ride from downtown Oslo. As we came up to his house, his wife had put out candles to light our way. They were protected from the freezing winds by lanterns made entirely of ice.