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Recent Publications

With the forthcoming release of my book with Jennifer Raiser and Sidney Erthal, Burning Man: Art on Fire — which comes out this week — my photography has been getting a little more attention than usual.

Six of my images were featured in the San Francisco Chronicle this past Sunday as part of a big spread about the book. To my surprise, one of the photos even made the front page.

“A new coffee-table tome, Burning Man: Art on Fire (Race Point Publishing, 208 pages, $35), by San Francisco’s Jennifer Raiser, showcases ingenious, breathtaking and downright wacky installations by amateur and professional artists from around the globe, with color photographs by Sidney Erthal and Scott London and descriptions of the works in the artists’ own words,” writes Carolyne Zinko.

To read the full piece, which includes a nice interview with Jennifer and a dozen photos from the book, go to SFGate.com.

The Telegraph has also published a gallery of photos from the book in their travel section. It showcases images of art cars, 9 in all, under the title “Burning Man’s Mutant Vehicles.”

“Often described as a world within a world, the Burning Man festival is a creative, temporary city with a 70,000-strong population in the middle of the Black Rock Desert,” reads the opening caption. “It is renowned for its art works, which visitors transport from all around the US. Some of these are “mutant vehicles” that people use to traverse the desert landscape. A new photography book celebrates the art works of Burning Man, dedicating a chapter to the craze of these mobile sculptures.”

Check out the full gallery at telegraph.co.uk

 

With all the trouble going on in the Ukraine at the moment, it’s hard to imagine anybody there reading fashion magazines and dreaming of vacations abroad. But who knows, that could be just the kind of escapism people are looking for. In any case, I was recently asked by the editor of the Ukrainian edition of Marie Claire magazine to share some photos of Burning Man. We got to talking about the event, one talking point led to another, and the story turned into something a little different—part travel piece, part artist profile.

In the piece, I talk about why I love Burning Man, how I happened to start going ten years ago, and how things have changed and evolved over the past decade. Here’s an excerpt:

Burning Man is famous for the Saturday evening ritual in which a giant man made of wood and neon goes up in flames. But there are events going on all week long. Many of them are spontaneous or loosely organized. Others are scheduled and take place every year. One of the most famous is “Critical Tits” in which hundreds or even thousands of women ride around the playa topless. The event is modeled after the Critical Mass bike ride in San Francisco, but with a lot more humor and attitude. Unfortunately, I can’t show you images of this, because Burning Man doesn’t allow publication of Critical Tits photos.

As a photographer, I’m also very enamored of the “Black Rock City Fashion Show,” which is a campy and hilarious event that takes place each year. People show off their most amazing outfits and costumes and often perform little routines on stage. The whole thing makes a mockery of a real fashion show, but it also shows off some of the beautiful and amazing attire people create each year specifically for Burning Man.

A question that came up again and again in the conversation was nudity. “Why is it so important for people to get naked there?” Here’s my attempt at a response:

Well, it’s hot in the desert. But that is not the only reason. Some people choose to take off their clothes and go naked because, well, why wear clothes if you don’t have to? There is something wonderful about being free to wear whatever you like—or nothing at all. Since there are no rules, you can do whatever feels most fun and natural.

There is a lot of talk about nudity at Burning Man. But there isn’t really that much of it. Most people keep their clothes on. You do see a fair number of topless women, but not any more than you would on a typical beach in Europe. And the bona fide nudists who go to Burning Man are always a very small minority.

Because it’s August and Burning Man 2014 kicks off in just a few weeks, the media is especially focused on it now. Another magazine highlighting the event is Virgin Australia’s in-flight monthly Voyeur, which devotes six pages of its August issue to Burning Man. The article is written by Sally Dominguez and features 11 of my photos. You can view it online here: Voyeur Magazine

Finally, some of my non-Burning Man photos have also appeared in print in recent weeks. Fast Company magazine published an image I made of R&B icon John Legend. Origin magazine ran one of my portraits of bestselling author Byron Katie. And the Santa Barbara News-Press featured one of my photos of Steve Duneier, better known as the Yarnbomber, in last Sunday’s edition.

It’s a wonderful thing to get your work noticed and into print.

Default World Dreaming

"Star Seed" by Scott London

“Default World Dreaming” is a new show opening today at Gallery 151 in New York City. I’m excited to be a part of it and to have my work featured alongside an amazing roster of talented artists.

The show ranges widely but takes inspiration from the unique culture and ethos of Burning Man. The annual festival represents a curious and dynamic world of opposites — the ephemeral world that rises out of the Black Rock Desert of Nevada each summer, and the established, accepted, and socially constructed reality of our daily lives.

To those in the Burning Man community, quotidian life is often referred to as “the default world.” It stands in stark contrast to the culture of Burning Man which is exemplified by self-reliance, non-commodification, gift giving, and radical self-expression. For those who attend Burning Man, these values can be so creative and so liberating that they feel more real than the “real” world.

The exhibition looks at the dichotomy between living in a default world and dreaming of an alternate world, one suffused with creative extravagance and limitless possibility.

The show runs through April 19, 2014. For more information, please visit Gallery 151.


 

Dharma On the Playa

The Spring 2014 issue of Tricycle magazine features several of my photographs from Burning Man paired with an insightful and beautifully written piece by contributing editor Allan Badiner. The article describes Badiner’s first experience at Burning Man in 2013. It was a journey he had avoided making for many years, he says, but reluctantly agreed to in 2013 in order to accept a speaking invitation. Once there, he was taken in by the event and struck by the curious parallels between Burning Man some of the core practices and rituals at the heart of Buddhism:

Traveling the playa, experiencing scenes from the fantastic to the crudely immature and everything in between, I found more improbable resonance creeping into my awareness between this artsy hi-tech desert ritual and Buddhist ways of being. From the generosity, nonjudgment, and eightfold path-like principles practiced by Burners to the sacred geometry of the city’s layout to everyone’s acceptance that it would all disappear in a matter of days, the playa was permeated with a Buddhist view of life.

And while Burning Man is of an entirely different character, it did have its similarities to a Zen retreat: attendees are hoping for a shift in their perspectives; people are, for the most part, on their best interpersonal behavior; and they take on new names, sleep less, and have amazing insights. Unlike the program at a Zen retreat, many people simply come to dance all week, make love, or blow their minds open with psychedelics. But everyone has permission to follow their dreams and pursue what makes them happy, without judgment. And while some found happiness in pursuing sense pleasures, others took solace in yoga, meditation, and intellectual inquiry. The vast variety of intentions and possibilities don’t seem to separate Burners from one another; rather, it unites them.

Check out the complete article here: Dharma On the Playa

Here’s a peek at the spreads:


 

Art Cars

In addition to ephemeral art installations, Burning Man is famous for its art cars and tricked out “mutant vehicles.” These are often wildly creative contraptions designed as much to impress and amaze as to have a rockin’ good time. Think party platforms, stripper poles, flamethrowers, full service bars, disco balls and flashing lights, cushioned interiors covered in velvet and faux fur, obnoxiously loud sound systems and pretty much anything else you can think of. The bigger and more outlandish the better. The only rule is that the vehicle shouldn’t look too much like a vehicle.

MSN has gathered a collection of 48 of my photos in a slideshow that captures some of the best and most brilliant art cars from the last ten years. You can view it here or click on the photo below.

MSN Slideshow

 

Burning Man 2012

The Man Goes Up in Flames at Burning Man 2012

I’m back from an enchanting week at Burning Man 2012. It was a year of wind and dust and even some rain, which made for some interesting photography but was physically quite challenging. I took almost 3,000 pictures over the course of 8 days.

This year I shot on assignment for Rolling Stone. You can view 25 of my images here: “Burning Man 2012: Magic Mushrooms, Nude Dancers, Wild Infernos and More.” You’ll find two additional sets as well: “More Scenes from Burning Man 2012,” and “Faces of Burning Man 2012.”

I’m now busy putting together my customary set of 100 photos from the event. I hope to have that up very soon. (See below.)

In the meantime, my photography has appeared in a number of recent publications:

  • The October issue of Outside Magazine features a lengthy piece about Burning Man titled, appropriately enough, “Hot Mess.” Written by Brad Wieners, the article includes images from photographers George Post, Steward Harvey, and myself.
  • The current issue of Gateway Magazine, the in-flight magazine of China’s largest airline, includes an 8-page spread featuring my work. A photograph of artist David Boyer’s installation “School of Blue Bottle Noses,” which I took in 2009, appears on the cover. You can view the full issue online here (my photos start on page 218).
  • The Santa Cruz newspaper Good Times ran a terrific cover story by Elizabeth Limbach recently with photos by Kyer Wiltshire and myself. The piece is called “Beyond Black Rock City” and is available here (the online version doesn’t have all of the images from the print edition, I’m sorry to say).
  • The South African magazine One Small Seed has a 7-page spread about Burning Man in its current issue with 10 of my photographs. You can view the story in PDF format here.
  • Popular Mechanics ran a feature back in May called “10 Wild Art Cars from Burning Man” using my images. What’s nice about this piece is that they assigned a writer to it who cobbled together interesting and detailed captions about how each art car was built.
  • I also have a spread in the current issue of Marie Claire Brazil, but I haven’t managed to get copies of it yet and it doesn’t appear to be available online.

UPDATE (September 11, 2012): My 2012 photos are now online — view the set here.